Tag Apolis Common Gallery

Apolis: Common Gallery

By Scott M B Gustafson

“Architecture is not simply about space and form, but also about event, action, and what happens in space.”
Bernard Tschumi

The work of MAISON ORION was featured recently on the Apolis website with a Journal entry regarding their flaship store in Los Angeles, the Apolis: Common Gallery. One of the goals of this website is to document and share the design process I utilize to bring a project from concept to concrete reality. Multiple modes of inquiry are explored with analog and digital tools: sketches, photographs, physical models, BIM, and sometimes poetry. I don’t like to be limited by any one tool or overly influenced by it either; this polyvalent working method avoids the pitfalls of a singular approach.

Bernard Tschumi’s quote reminds us that the object of design is not design itself, but creating places for people to live, work, create, dream and share. This project is an office and retail store for the Apolis brand, but it is also a gathering place for the unique community of social activists and advocates that regularly meeting during the keynote events held there. The space becomes an incubator where passionate thinkers exchange creative solutions to some of the toughest problems the world is facing, and make new friends in the process.

Brothers pursue dreams
Weaving lines across time zones
Action brings results

An architectural poem inspired by the Parton brother, Raan and Shea.

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View from the corner of Third and Traction in LA's Arts District

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The situation in June, 2011

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Natural light

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Field survey of the existing building

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Design goals

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The thinking hand...

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Study model of the project

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The Parton brothers modeled to scale in front of their flagship store

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Drawings ready to submit for a building permit

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Waiting to begin the plan check process

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HVAC work is in progess

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Plumbing investigation in the existing walls

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Shea Foley inspects the progress

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Sandblasting of the steel window frames

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No holograms in this operation

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The artistic placement of an orange extension cord

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Lighting ready to be hung from the rafters

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Materials ready for installation

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Scott M B Gustafson at the opening night party

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The space in action. Image courtesy of Apolis

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Mark Koska discusses how he developed the K-1 auto disable syringe. Image courtesy of Apolis

Apolis Common Gallery – Design Process

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Cover sheet of the working drawings

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Clothing for contemporary activists

Apolis Common Gallery – Los Angeles, CA USA

By Scott M B Gustafson

…we founded Apolis with a simple idea that people can live better lives if they are given equal access to opportunity. Our travels abroad immersed us in personal stories of struggle and survival that inspired us to create a business model that bridges commerce and sustainable development. A model which we call advocacy through industry. Along with our commitment to global advocacy, we also understand the importance of sourcing and manufacturing locally. An average of sixty percent of our product assortment is made in the United States and each of the manufacturers we partner with are part of our goal to empower people through opportunity instead of charity. Since we started, our philosophy has grown into a global community of people from all walks of life who believe that the most valuable practice in creating lasting change is by investing in people. It is people who are the innovators, the advocates, and the revolutionaries. Apolis is a platform for a network of global citizens who are empowering people through opportunity.

Shea Parton, Apolis Brand Director

I was drawn to Apolis (Greek for “Global Citizen”) originally as a fan of their daring blend of capitalism and social entrepreneurship. I recognized a strong link between their design aesthetic and focus on quality, durability, sustainability and community development and the goals I set for MAISON ORION as a design studio. In early 2011 we initiated a dialogue on retail design, authentic experiences, empowered consumers and sustainable development.

I’d been following the company for a few years. I love the blend of activism and capitalism they bring to their collaborations. Early on in the process I mentioned that as their business model is equal parts social and sartorial, any retail endeavor they pursue will need to incorporate aspects of a meeting hall, a library, a speakeasy and of course a shop. More than ever products need to tell a story. Apolis allows their customers to be part of the story by supporting, through their purchases, the lives of the workers they partner with. Shea Parton has said that “Apolis is a brand you join rather than just purchase” speaks deeply about the mission of empowering opportunity that Apolis champions.

Unlike other clients I have worked with, the Apolis team possess numerous skills which make the design process run more smoothly. Visual literacy, construction experience, process management and inspiring insight into brand concepts have been a part of every conversation during the development of the design. Raan Parton, the design director of Apolis, had a very clear vision from the beginning of what kind of retail experience he wanted to achieve with this project. Some designers are intimidated by clients with a strong sense of direction, fearing loss of control in the creative process. I relish the chance to work with energetic people who push me to do my best. If I felt that I couldn’t do excellent work with them I would have not accepted this commission.

These sketches were drawn in early July, 2011. After completing initial code and zoning research and agreeing on a program (the list of rooms and their sizes), I typically start the design process by sketching spatial ideas that get tested and refined in dimensionally accurate computer drawings. When I was younger, I tended to draw in a more elevational format; more frequently now I work in perspective. I start feeling the space and honing in on the scale of the various elements in the design. Between sketches, physical models and 3D computer models and computer drafting (CAD and BIM) and frequent on-site walks, the design takes shape. As process sketches, these drawings do not necessarily represent the final design of the project.

http://apolisglobal.com/

Follow the Common Gallery on Twitter @CommonGallery

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Architectural and retail reference images

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Los Angeles Arts District

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Green foliage frames crisp apertures

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A fully re-configurable layout for changing moods

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Honoring the bones of the existing building

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Apolis lapel pin for Advocates

Check out this excellent film on the history of Apolis by the British production company Lonely Leap Film.

Apolis Common Gallery – Behind the Scenes

This film was created by Apolis Global, Dot&Cross, David Christenson and editor Adam Kolkman to share the story of turning a renovated industrial space into a locus of social activism. Apolis CEO Shea Parton narrates the film and explains the vision behind this unique retail venue.

If you are in LA this week, check out the Common Gallery’s Official Grand Opening on the evening of Thursday, November 10th during the Downtown Art Walk.